Day 55
Really? I have to go to work again? New schedule. Our classes are shifted around and around. We have a new secretary.
I open a bank account and am PAID!!! I finally get a full paycheck.
Leaves are falling off of trees, and I wear a coat on my walk to school. I don't need it during the day, but after work it is cold.
Day 56
After a failed attempt at financial transfer from South Korea to the U.S.
I buy a camera and rush to class. Something positive will happen today.
Day 57
After yesterday's pointless hour and a half at the bank, I decide to translate phrases I will need, and hopefully that will help. It does. After only 50 minutes, financial transfer is successful.
I go for a long walk. Into the woods again, out. I take photos of the trucks I see.
I decide to go to Bruce, the Traditional Medicine doctor. I will ask if he can do anything for sadness.
He calls the dentist from the first floor up to his office on the second. He hands me an orange. The dentist speaks English with more fluency, and he can help Bruce understand the nature of my sadness. I try to explain that my meloncholia is caused in large part by the high percentage of misunderstanding and miscommunication in my daily conversation with the world around me.
He prescribes Moksa treatment. I lay down on the table and he places small clay pots filled with burning mugwort on my skin. It is related to accupuncture in that stimulation of key points on the body will help the flow of energy in the body. I don't know exactly, but I'll try it out. He also give me herbal teas. I vow to find a book in English on Korean herbs.
Day 58
Yoga, coffee, and Sam-Gye Tang (a small chicken stuffed with white rice, ginseng, and a daechu berry sits in a bath of broth. Mashisayo.) with Myeong Hee before I teach.
Work is going okay. I feel that I've reached a good balance. I am strict enough to keep them from going crazy, easy-going enough to play games and have fun. The new secretary is kind of delightful. Not kind of. Delightful. "Candida!" she says, "Your hair! Like Hagrid!" "Candida! I LAh-Vuh YOU!"
Day 59
The students are trying to get me to read in Hangul for them. Every syllable I utter, no matter how stilted, earns a "WHAAAAaaaooooow". After work I walk to Bugok Dong, the other side of the city. It's not intentional, I just keep walking. Eventually I turn around. I'm restless.
Day 60
A walk to town precedes my 5 o'clock date with Sally, a Korean teacher from the Hagwon. She picks me up promptly in her small white car, and we head to a restaurant. She treats me to barlbap, a mixture of barley and rice served with soup and side dishes. I treat her to coffee at a nearby coffee-house. It is a sweet place. I would take my mother and grandmother there. Sally helps me read from a magazine, but we only get through about two or three sentences before it is time to go.
We drive up to a large building with strange architecture. Strange in its cubist shape style. We climb stairs to the entrance and wait for doors to open.
Walking inside, I am transported to 1998. The auditorium is structurally identical to that of the Community College in my hometown. Perhaps the only difference is that there are Korean characters on the seats denoting row and number, rather than English.
We listen to music until the electronic gong tells us that the show is starting. It is exactly like waiting for the Mohawk Follies to begin.
"Dalgona" is a dramatic musical that uses popular songs from various decades to evoke nostalgia in the audience. It works. The audience around me was clapping to the beat as teenagers ran from their teachers, singing along softly with ballads as a young woman waits for her sweetheart's letter, watching in silent reverence as song accompanies video footage of protests in the 1980's. During intermission, I reassure Sally that I understand what's going on, even though I don't understand Hangul. We go back and finish the show. I am kicking myself for not buying a tape recorder earlier on in the day.
She drops me off at home around 10:30 and I decide that my night is not over. I will go to Gumi. I met the new owner of a bar a few weeks ago, and the official opening is tonight. I can go have a beer, maybe see some people I've met, and come home in a couple hours.
Where is the bar?
I follow the directions, but I am unsure. I had counted on seeing people standing outside (forgetting that smoking is allowed inside). There is a foreign woman approaching. I ask if she knows where "Corona" is. As it happens, it is just across the street and she is going there herself. We walk in together and shortly decide to leave to see if anything is going on elsewhere. Neither of us are familiar with the crowd in Corona, both of us were hoping for more dancing. We head to Psycho, and linger in the doorway, as the bar is nearly dead. We are cajoled inside, and hesitantly step in. Once those few steps are taken, we are being watched over by a giant man, who apparently wants us to come all the way in and go to the bar. Okay.
We go up to the bar.
What do you want to drink? Do I have to? I feel a little uneasy.
She and I ignore the others and talk with each other. We eventually decide to dance by ourselves. As I turn around, the Giant hands me a pool cue.
"A Game! Pool, you play pool. What do you want to drink? A Budweiser?"
I look at her and shrug. I'll play a game, then dancing. The game proceeds with the usual amount of talking down the opponent, but I win.
"He let you win."
I am feeling more at ease, and the dance floor opens up. Impromptu synchronized dance with the giant gets the bar laughing, and I am having a good time. Oh no! What time is it? Okay, I have a few more minutes. OH NO!! TIME!! I HAVE TO GO!
I grab my bag and jacket and sprint out the door. The Giant runs down the stairs after me.
"Where are you going? Why you have to running??"
"TRAIN! I have to catch my train!"
"Catch next!" He catches my hand to slow me down.
This continues to the train station, where he assures me that I won't be able to buy a ticket. I shake my head and quickly walk down to the platform. I will just not buy one. A bus! take a bus! There are buses from Gumi to Gimcheon, take a bus!
I narrowly miss the train. NARROWLY.
"This is your fault," I say. Of course it's not entirely his fault, I could have left earlier. I should have. But maybe I can take a bus. I'll take a bus. We run into someone I know, who informs us that yes, there is a bus, but it won't run until 4am.
There is a collective gasp as I walk back into the bar. An upside to this turn of events is that I can get the woman's phone number. There wasn't time before.
Chat chat chat chat...is it 4 yet? no? not even close? chat chat I am tired. chat. I am going to get a hotel room. chat chat. You will get me a hotel room? I will have a SINGLE hotel room, which I will stay in, ALONE. You understand? ALONE. Me. Alone. Nice to meet you, Goodnight.
In the middle of the night I hear screaming outside of my window. I walk over and look out to see a Korean woman wildy waving her arms in general drunken rage. Her friends cannot quiet her, others cannot quiet her, police arrive and cannot quiet her, in fact, at the arrival of the police, her outburst reaches a level of hysteria and continues for an amazing amount of time. I see three men taken into one police car, and eventually she and another are placed in another. Whoa. Rolling Stone Western Bar...what kind of place are you? I go back to sleep, shaking my head at the weirdness of this existence.
Day 61
I wake, prepare for the day, turn in the key, and head for Daegu. Standing room on the train is a falsity, there are plenty of open seats.
I wander through three foot alleys lined with vendors preparing for the day. I have arrived early and few stores are fully open. Not wanting to be the first customer to enter any store, I am a true window shopper. I read somewhere that the first customer in a store sets the tone for the day. Whether or not that's true, I don't know...regardless, I don't want the responsibility. Purchases will eventually occur.
More footsteps lead me to Kyobo, a large bookstore. There is a reasonably sized English section and I head over to find something new. There is another perusing the wall. He looks about my age and I notice that the books he looks carefully at are good, by my estimation. I go out on a limb and ask if he would like to go for lunch.
Over coffee, I learn that although he is newer to Korea than I, he knows about some arts districts in Daegu. Specifically, he knows about a photography show at the Daegu Art and Cultural Center. This is thrilling. We go and I thoroughly enjoy the show. I thoroughly enjoy the fact that some involvement in current art/culture in Korea is possible. It has been a difficulty; not knowing how or where to view or show art. The show itself is very good. It is the Daegu Photography Biennial, featuring new digital work, older photos of North Korea, work by Chinese, Japanese, and Korean photographers.
Outside the station, I pass an old man playing Venture's style guitar through a portable amp. He is accompanied by an old woman, singing into a microphone. I wish again that I had a tape recorder in hand.
New clothes, new books, new friend. Great day. I board the train at 18:54.
Sunday, November 16, 2008
7 days
Labels:
Candida,
candida pagan,
coffee,
daegu,
dalgona,
gimcheon,
gumi,
misunderstanding,
moksa,
payday,
sadness,
sam gye tang,
south korea,
surreal,
trucks
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3 comments:
yes, I knew something like day 60 would happen. Good to see it through the light of your vision- otherwise could be horrible- the mugwort cups?
have they been good to you?
two things: Moksabustion is awesome and works. Really, you can't go wrong with Mugwort.
and also, whether you like iit or not, your life is turning into a Murakami story. good!
mugwort. thumbs up.
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